“I have become death, the destroyer of worlds,” the real Oppenheimer once said, quoting from The Bhagavat Ghita in an interview about creating the atom bomb. Nolan’s film will focus on the genius scientist’s role in its development. As a young man, Oppenheimer distinguished himself as a student under J. J. Thomson, who had been awarded the 1906 Nobel Prize in Physics for detecting the electron. After the start of World War II, Oppenheimer was invited by the Office of Scientific Research and Development (OSRD) to take over work on neutron calculations at the Lawrence Berkeley National Laboratory, also known as Berkeley Lab, which was struggling against the clock to develop an atomic bomb. As the war and development progressed, the scientists needed more space. President Franklin D. Roosevelt authorized the formation of the Manhattan Project on Dec. 28, 1942. Also known as Project Y, the Manhattan Project was formally established on Jan. 1, 1943. Oppenheimer was appointed scientific director. He directed the construction of the laboratories at Los Alamos and brought together the best minds in physics to solve theoretical and mechanical issues. Over 3,000 people worked on the project, including Albert Einstein, who first presented the military potential of an uncontrolled fission chain reaction to Roosevelt in the summer of 1939. The first nuclear explosion was executed at a site on the Alamogordo air base, 120 miles south of Albuquerque, New Mexico, July 16, 1945. Oppenheimer named it “Trinity,” and it had the explosive power of 20,000 tons of TNT. One month later, the bomb was used twice on Hiroshima and Nagasaki, Japan. The FBI had files on Oppenheimer, including a report of a January or February 1943 meeting where he heard about colleagues who were solicited for nuclear secrets by a shell oil employee on behalf of the Soviet Union. Oppenheimer failed to report it until August. The FBI furnished Oppenheimer’s files to his enemies. On Nov. 7, 1953, FBI Director J. Edgar Hoover received a letter from William Liscum Borden, former executive director of Congress’ Joint Atomic Energy Committee, accusing Oppenheimer of being “an agent of the Soviet Union,” based on “11 years of minute surveillance.” The theoretical physicist’s phones were tapped, his office and home were bugged, and his mail was opened. Oppenheimer’s security clearance was revoked 32 hours before it was set to expire in June 1954. Edward Teller, “the father of the hydrogen bomb,” dredged up old Communist sympathies in testimony to the Oppenheimer Security Hearing in Washington. Army Counterintelligence knew about Oppenheimer’s associations with Communist Party USA members, which included his wife, when he was made director of the Los Alamos Laboratory in 1942, and when he became chairman of the General Advisory Committee of the AEC in 1947. The revocation stripped the renowned scientist of political power and made him a boogeyman during the height of the Red Scare. In the fallout of his public exile from American government life, Oppenheimer established the World Academy of Art and Science in 1960, along with Albert Einstein, Bertrand Russell, and Joseph Rotblat. The scientific community never forgave the government for its treatment of Oppenheimer, and much of the findings of the committee were shot down under later scrutiny. Partially to right these wrongs, President Lyndon B. Johnson honored the scientist with the Atomic Energy Commission’s Enrico Fermi Award in 1963. Oppenheimer died of throat cancer in 1967. Christopher Nolan is a courageous director who has never stopped taking risks, even after achieving mainstream success. A Nolan film is a brand, like a Martin Scorsese movie or a Hitchcock picture. Nolan is an auteur, writing and completely controlling every aspect of his films. From Memento to Inception, he has never stopped challenging audiences, nor has he ever pandered to them. Tenet was released while the pandemic was at its height and the film still grossed $363 million. Nolan is probably one of the few directors with the guts to make a bomb. The 1989 Manhattan Project drama Fat Man and Little Boy was blasted by critics and ignored by audiences, even with Paul Newman starring in it. Nolan is best telling human stories with strong characters who are troubled by epic challenges and moral conundrums. Oppenheimer challenged and second-guessed his greatest achievements until the day he died, and seems like a natural choice to lend himself to Nolan’s recurring series of troubled protagonists.
